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Concerts at Cité de la musique in season 2024/25 or later
Inspired by Clara Schumann’s encounter with several of her female contemporaries, Franco-Belgian soprano Marianne Croux, together with Pierre and Théo Fouchenneret, explores a Romantic Europe torn between passionate fervour and modernist dazzle.
Featuring Joe Lovano (saxophone), Julian Lage (guitar), Santi Debriano (double bass), and Will Cahoun (drums), the new Paramount Quartet—formed in early 2024—has burst onto the scene with a distillation of jazz as adventurous as it is vigorous.
Clarinettist Yom, violinist Théo Ceccaldi and cellist Valentin Ceccaldi—three illustrious explorers of contemporary French jazz—bring their new trio project to the stage, setting off into the horizon of innovative trance.
Becoming ubiquitous in recent years, loop stations allow any musical sequence to be recorded, repeated again and again, and layered. Using looping, Robin Cavaillès creates an entire show mixing singing, beatbox and instruments.
Becoming ubiquitous in recent years, loop stations allow any musical sequence to be recorded, repeated again and again, and layered. Using looping, Robin Cavaillès creates an entire show mixing singing, beatbox and instruments.
An expert in the art of reinterpreting popular Middle Eastern music, the cross-border group Love and Revenge revisits Umm Kulthum’s repertoire with fervent originality, incorporating contemporary sounds and adding video media.
The legendary ensemble from the Luxor region, Les Musiciens du Nil, offer a sumptuous concert-show that recreates the ambiance of an evening in a village of Upper Egypt, like that where Umm Kulthum was born.
Orchestrated by Les Musiciens du Nil, an illustrious Egyptian ensemble with a dazzling repertoire, this concert immerses us in the atmosphere of evening celebrations in a village in the Luxor region, far from the touristic spread of sameness.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
Marina Chiche and Sodi Braide’s inquisitive approach to Beethoven brings together four figures from the American and English music worlds, including three women composers whose renown continues to grow year by year.
A Tchaikovsky immersion: in a selection of his symphonic and concertante works, Orchestre Consuelo and its conductor Victor Julien-Laferrière offer a fresh perspective on the Russian composer, making these pieces seem written just for them.
Mozart dedicated a number of fine opuses to the flute, such as his stunning Concerto No. 1. The splendid Quintet for Piano and Winds and ‘Prague’ Symphony are two more of his triumphs placing woodwinds in the spotlight.
From a recital by an Aphrodite on the eve of Valentine’s Day, one might expect a classic ode to romantic love, but singer Aphrodite Patoulidou has something else in mind.
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